Monday, April 02, 2012

New Painting: "Safety of the Sunset", 36"x48" by Allan Chow 2012

Step1: Drawing using a grid.
Step 1: So the painting started off with a sketch on paper.  I used a grid system as shown above to help me with transferring all the detail from the skyline due to the scale of the canvas and the complexity of the subject matter. Multiple reference photos were used to compose this image. After a day's worth of work, this is what I got. After I am done, I spent some down time  contemplating and thinking about colors that I can start working with. In the end I decided to start with the Western Auto building and it's warm colors.

Step 2: Under painting while losing and re-discovering my drawing.
Step 2: I began to experiment with grouping my warm and cool colors on the canvas. At the same time, I am establishing my values and textures with the first layer of colors. I will spend the next day or two building up the first two layers. This phase is quite challenging for I begin to lose my drawing and I have to re-establish my drawing with paint but this gives me an opportunity to make changes to my drawing if necessary. I used some greens, purples and phthalo blue for my background; burnt sienna, cad red and cad orange for the foreground.
Step 3: Drawing re-discovered, experimenting with values and colors.
Step 3: As I continue to apply paint, I continue to figure out how much detail I want the painting to have. From experience, I usually trust my painter's instincts to guide me as I work. I will indeed make mistakes. Whatever I am or do, as long as I continue to apply paint, I will usually find the way. Patience is my friend at this point. I work from dark to light so I decided the trees in the foreground to be the darkest.






Step 4: Painting is coming to life. Happy accidents discovered!

 Step 4: As you can see here, I knew the sky was a wrong color even though the value is right. Its no problem, since it requires a few layers before I am satisfied anyway. This allows layers to show through when I am done. In step 6, you can clearly see where I left the green alone in the top right corner. I like the contrast of the blues and greens against the warm yellow and oranges. I will spend the next week or two choosing how much detail I need to complete the painting.



Step 5: A lot of time passed, light and detail established.
Step 5: There would've been a lot of psychological battles at this point. It took me quite a while but I was excited as I established the highlights on the trees below. My confidence began to build as I am in love with the warmest of the leaves complimenting with the warm bricks of the Western Auto building combined with the shadows it casted on the ground as it defined the streets and surrounding buildings abstracted by shapes of blues in the center of the painting. Not sure why I left the streets orange but I like it.

 
Step 6: Drying time. Deliver final painting.
Step 6: Another a week went by, I began to see the light at the end of this long tunnel. I managed to find a the balance of light, detail and color in the painting that I was searching for. As always, I try to create a dance floor filled with exuberant colors only found in dreams. A month later, I had to stop because the painting was due in a week and much drying time is needed. Hope you enjoyed the process. Until next time :-)

Wednesday, March 28, 2012

Article published on Missouri Valley Impressionist Society

Under the Palette Knife

"Morning Missouri" Oil on canvas 30"Hx40"W

It is truly a privilege to share with you a very personal and intimate moment during the process of creating a painting. The process of a painter to me is probably the most intriguing part of Art making. Unless stated, the story of a painting lies between layers of paint, leaving you armed only with your imagination and interpretation. When I stand before a painting by Monet or Jackson Pollock, all I can think of is how their life experiences and the air they breathe inspired them to move paint that way. Well today, I have the opportunity to share with you how I prepare my canvas and briefly walk through my process of starting a painting.

I am what they call an impasto painter obsessed with texture armed with a palette knife and often times I am called a paint guzzler. My primary subject matter are landscapes. I do include figures into my compositions from time to time. My surface of choice is traditional pre-stretched canvases. I don’t favor a brand as long as the canvas is well made and it has adequate bracing. Once, I have stretched my own canvas. Since then, I have decided that it is more efficient to purchase canvases and focus on my painting instead.

Most of the time, I work from photographs that I take and my compositions come from multiple references like a creative process of an Illustrator. As an Illustrator, I am trained to use visual references to help me create an original composition. Naturally, I start out by creating thumbnails on a piece of paper. I then transfer my composition onto the canvas by hand. Instead of transferring all of the details from my thumbnail sketches, I will try to keep outlines minimal and finish my drawing with paint.

During the first hour, my ultimate goal is to cover the canvas with paint. I use this time to establish my values and texture with either ultramarine or phthalo blue. Why blue? Blues seem to work well as colors for shadows in nature. Considering my primary subject matter are landscapes, the color blue seems to make perfect sense. Sometimes, when I predict a really warm palette in the horizon, I use burnt umber or burnt sienna as my shadows instead.
"Love's Aspiration" Oil on Canvas, 24"H x 30"W
















During the first year of my career, I used a palette knife primarily to mix paint as I used a combination of brushes, pencils, oil pastels to apply my paint, I dreaded the smell of turpentine and time spent cleaning my brushes so I decided to switch to the palette knife as my primary tool to apply paint. The knife liberated me as a painter. As soon as I shed my brushes, my paintings started to evolve. It taught me how to simplify even the most complex subject matters at hand. Because I was unable to articulate what I saw precisely with a knife in comparison to a brush, I was forced to imply my subject matters. I believe this is the beginning of my love affair with Impressionism.

Learning to manipulate paint with a knife reminds me of sculpting. I find myself adding, subtracting and carving layers of paint as I sculpt the painting to life. In addition, it requires me to learn how to float wet paint over layers of more wet paint. Too much pressure will cause layers of colors to mix and become muddy. This is not something I was warned about, it is something I had to learn to control and adapt to in order to finish a painting. Beside my easel, I have a table where both my palette rest on. One of which is a cheap frame I acquired twelve years ago and inserted a gray piece of paper under the glass; taped the sides with duck tape. The other, a recycled piece of mirror that I taped the sides with duck tape. Cleanup is easy; I use a blade to scrape off unwanted and/or dry paint.

"Sundown in the Hills" Oil on canvas 30"Wx30"H



















After the under-painting is established, an emotional roller coaster journey of self-discovery begins. I start with a vision and color is applied to the canvas. I don’t use a color wheel. I start with a few colors and choose colors that compliment them. I am constantly trying different color combinations. I work from dark to light and finish off my paintings with highlights at the end. I know the above sounds vague but I am glad I do not have a clear vision. During the paint application process, minimal planning is necessary; this preserves the spontaneity and fun. Most importantly, this technique forces me to take risks and make mistakes. All of my paintings do not come easily nor do they go my way initially but it is a battle that I will eventually win as long as I continue to work.
When a painting is complete. It will take at least two weeks for it to cure before I send it off with a Chinese marble stamp as my signature.

Allan Chow, MVIS Charter Member

Wednesday, March 07, 2012

New Arrivals at Pop Gallery

Brilliant Mango, 14x14, on Gallery Wrap canvas, Allan Chow 2012

Brilliant Mangosteen, 14x14, on Gallery Wrap canvas, Allan Chow 2012

Brilliant Pomegranate, 14x14, on Gallery Wrap canvas, Allan Chow 2012

Double Trouble, 14x14, on Gallery Wrap canvas, Allan Chow 2012

Sweetest Pear, 14x14, on Gallery Wrap canvas, Allan Chow 2012

Two Pears, 14x14, on Gallery Wrap canvas, Allan Chow 2012
These are New ALLAN CHOW Arrivals at the Pop Gallery located below Strecker Nelson Gallery in Manhattan Gallery. You have to see them in person to appreciate the bold, exuberant colors and their textures.



To purchase paintings:
Call or email your inquiries at:
785-537-2099
gallery@kansas.net
406 Poyntz Ave.
Manhattan, KS 66502


Tuesday, March 06, 2012

2012 Fairway Frames exhibit

Eleven years ago, I had my first exhibit here. Its good to be back. Fairway Frames are located at 2806 West 53rd Street  Fairway, KS 66205. They are closed Sun-Mon.

More paintings inside. Be sure to check them out in person. You can find more paintings at www.etsy.com/shop/chowallan

Next to First Watch in Fairway, it is hard to miss driving down Shawnee Mission Pkwy. Be sure to check it out if you are in the neighborhood. It is even better at night as the window lights up from the exuberant colors.

Thank you Fairway Frames for supporting local Artists.

Urbanscapes 2012 at Strecker Nelson Gallery

Some inspiring sculptures complimenting the paintings on the wall at the opening.

Bold and breath taking colors lit the room up that evening.

Stunning images capturing the paintings at the Gallery's opening reception.

Thursday, February 16, 2012

2012 New Paintings by Allan Chow

Western Auto, 14x18, SOLD OOC, Allan Chow 2012

Passing Through, 12x16, OOC, Allan Chow 2012

Dusk at Broadway, 24x30, OOC, Allan Chow 2012

Missouri River Bends, 24x30, OOC, Allan Chow 2012

Sundown on Broadway, 24x30, OOC, Allan Chow 2012

New paintings by Allan Chow featuring at an upcoming exhibit at Strecker Nelson Gallery
in March. Stay tuned.............

Illustration for Ink KC 2012

Illustration by Allan Chow 2012
Art Director: Tasha Fabela-Jonas of Ink KC

Reflections of Hannah by Allan Chow 2011

Reflections of Hannah, 24 x 30 oil on canvas, by Allan Chow 2011

Wednesday, November 16, 2011

Two Man Show at Leopold Gallery 11.18.11


Friday, November 18, 6-9
Artist's Reception
Oil and Steel

Palete Knife Paintings by ALLAN CHOW
Sculptures in Steel & Iron by REILLY HOFFMAN

Allan's collectors include H&R Block, University of Kansas Hospital, Foulston Siefken LLP and private collectors nationwide.

Reilly has work with Saint Luke's Hospital, the City of Roeland Park, A. Zahner Company and private collectors across the country.


Samples of work:

Such Great Heights, 40x40, OOC 2011

Stop this Train, 24x30, OOC 2011

Stop and Stare, 30x40, OOC 2011

Love's Aspiration, 24x30, OOC 2011

Horizon Yonder, 24x30, OOC 2011


Sunday, November 13, 2011

Post "Fruit for Life" exhibit pix 11.11.11

Here are some pictures from the exhibit this past Friday at Wines by Jennifer. Thank you friends and fans for stopping by. It was a HIT!!! Many loved their wine, cosy atmosphere and last but not least, the gallery opening. Enjoy the photos everyone!


Coming Soon:
Nov. 18th, Friday 2011
Two Man Show by Allan Chow
Leopold Gallery (www.leopoldgallery.com)
All new landscapes! If you have missed my shows this year, this is a MUST SEE!!!!
Talented dancers and proud to call them my friends! Thank you!

Cheers! Aren't they all just lovely!

To new friends and my fav. couple!

The exhibit wouldn't be the same without you all!

Good to see you both and Congrats!

Tascha, thank you for being in all my exhibits this year!

Lesa, my sales rep that evening, Thank you!

Monday, November 07, 2011

A GREAT CAUSE!!!!
event:  HOORAY FOR HOLIDAYS
where: Mission Farms (106th & Mission Road)
when:  Thursday, November 17th, 2011
The unveiling of 17 local artists' paintings which will be displayed in every storefront.  The artists will bring the holiday spirit to you with their depiction of Hooray for Holidays!  The preview party and shopping night will benefit Variety Children's Charity.
For more information and to preview some Featured Artwork go to: Mission-Farms.com

----------------------------------------------------------------------------------------------------
Allan Chow
Title: Eternal Love and Strength
Size: 34" X 48"
Medium: Oil on Canvas

Description:
A pear and pear tree symbolizes Eternal Love and my message to all this season's holiday is to always believe in Love and the Strength that it brings us when in need. Happy Holidays everyone!

This painting will be featured at Blue Koi, Mission Farms.
Come see it in person!
"Eternal Love and Strength"


Monday, October 24, 2011

Fruits for Life, a solo exhibition by Allan Chow 2011












YOU ARE INVITED!
WHEN:
Opening Reception:
FRIDAY, NOV. 11th, 2011
5:00P - 9:00P
WHERE:
Wines by Jennifer
405 Main Street Parkville, MO
(816) 505-WINE

ABOUT EXHIBIT & GALLERY:
Allan Chow is exhibiting over 40 pieces of his newest paintings from his exuberant series of still lives filled with conversational compositions and textures that is hard to resist from touching them. 
Wines by Jennifer located in a 1903 home, in the historical Parkville, Missouri Old Town District. Each room in this totally-restored historic house has been uniquely decorated to represent the major wine regions from around the world: Spain and Portugal, Italy, France, Australia and New Zealand, Germany, Chile and Argentina, South Africa, and the United States are among the regions represented. These theme rooms are filled with wines, wine maps, authentic wine making equipment and wine-related products from the various regions, and are designed in such a way that you feel as if you're actually tasting in the wine region of your choice.
Please join us for an evening of irresistible Paintings and Wine and most of all, come meet the Artist!!
"Green Apple" and "Voluptuous Apple" by A. Chow

A glimpse of the show at the gallery.

"Summer Pears", 12x12, $230.00 Original painting by A. Chow

"Brilliant Mango", 12x12, $230.00 Original painting by A. Chow


_______________________________________________
UPCOMING EXHIBITS:
Friday, November 18th:
Two Man Show at Leopold Gallery (New paintings by Allan Chow)
Time: 5:00P - 9:00P
Where: Leopold Gallery, 324 West 63rd Street Kansas City, MO 64113
**The Artist will be attending this reception. 






Wednesday, October 19, 2011

Salsa Dancing & Art at Artichokes

 

 

 

 

 

 

 

 

 

 

 

ONE NIGHT WORKSHOP!

Club Style Salsa:  NO Partner - NO Problem!
Ages:  14 & up

ARTICHOKES (Mission Farms)
Thursday, 7:00 - 9:00 pm

Address:  10557 Mission Road, Leawood, KS  66206
Telephone:  913.322.9481

CLASS DATE:  OCT 20th, 2011

This beginning level Salsa class is designed to give you an introduction to Club Style Salsa dancing. This course is for complete beginners or students with understanding in other dance forms. Learn the Salsa basics starting with: the rhythm, fun turn patterns, break step variations, leading and following 'fun'-damentals.

Wine & snacks will be provided.  Ready to have a good time?
Let's get started. 


More than 10 students have already signed up. Join the fun. To register:
Click here.